Episode 14 was both the easiest and hardest episode of Whitechapel I’ve written thus far.
It was easy because, in many ways, it’s an episode I’ve had in mind in some form for months. Even the voting went the way I was hoping (for the first time ever, I might add), so it was great that I didn’t need to think about it or do any planning or try to make it all hold together — I could dive right in and really go to town on a scene I’ve been looking forward to.
It was hard because I made myself incredibly uncomfortable writing it. I’m not sure it’s the scariest or goriest stuff I’ve written, but it’s certainly the most intimate.
I’ve always had a bad relationship with death, because a lot of people in my life have died suddenly and tragically. Some of my first memories are of a cousin of mine who died one night in her sleep. I dumped my step-father’s ashes into Lake Erie after a prolonged fight with cancer. I just buried my grandmom earlier this year, and a friend just died earlier this week. I won’t go so far as to say that death has dogged my every step, but I’m certainly no stranger to it, and it’s been a part of my life more in the past six months than it has ever before in my life.
Maybe that’s the reason why I write horror and crime drama, so that I can try to come to terms with it. Some people block it, some drink, and some just obsess about it for weeks and weeks. I put all that grief and pain and anguish into stories about horrible people doing horrible things. (And I drink.) I think it’s a balance that a lot of horror writers have to come to terms with, that darkness within that they have to tap and spin onto the page. If it works well, you can tell an amazing story, even if you end up with a few sleepless nights as a result. But hey, if I’m going to lose sleep to my inner demons anyhow, might as well entertain some people along the way.
I was still uncomfortable when it came time to record. Rather than shy away from it, I tried to throw myself into the performance, and for the first time I did the whole episode in nearly one take. I recorded and had it edited and up in record time.
I’ve gotten a lot of positive feedback on both the writing and the performance, which I greatly appreciate — thank you for the support.
It helps me to come to terms with my own demons.